Tuesday, March 15, 2011

It's the 15th.

I feel so incredibly human this week. Sensory overload. I'm lovin' it.

Bobby said some great things in his presentation.  He should have a classroom of his own one day.


"In three words I can sum up everything I've learned about life: it goes on." 
-Robert Frost.


Tuesday, March 1, 2011

Bored Bored Bored Bored.

I met a woman the other day, who loved to hear the sound of her voice. I sat and listened for an hour and a half, because I was there to listen to what she had to say. She was sometimes unfocused and indulgent, but she understood parts of my soul. She knew what I knew. She experienced the love that I experienced. She was crazy, but we bonded. We bonded because I too saw the beauty of desperation that a woman can hold in her heart. We bonded because we felt the same thing, at the same time, in the same way. She was crazy, but we were human.

I stopped for coffee at a BP gas station around one this morning. I met a guy at the counter who was trying to put a bunch of wet dollar bills into his drawer. I laughed and said, “Did he just give you a bunch of wet dollar bills?” He smelled them and he replied with, “Yeah, and he sure did. Why in the world.... must’ve been pushed in a pool or something.”

I’m so incredibly bored with this semester. And I don’t think I would be if I didn’t have to perform all of these oddly tedious tasks. We’re learning how to do conversions in my Math class. We have online homework, ….which I am convinced is pointless bullshit. I want to problem solve. Anyone with half decent deductive skills.... frustration.

I was once a nomad
But now I have a home and I want nothing more than to return
to my life without shoes
wandering comfortably on the earth
lying in the grass
because its beauty whispered in my ear a kind invitation

One day I woke up
...conglomerate creation of clay, rock, and dirt. Stiff with movement, aching. Longing for the charming ability to dance, but lacking the requisite moisture contained by the heavens. What unforgiving bastards to refuse the permission of aqueous pearls to trickle into our hardened edges. We too are deserving! I’m fool to have ever believed in the absence of elitists. Fate hardly ever favors the calloused souls.
I wouldn’t mind a gesture from Sol to shy away more often, because the continuous evaporation of my good parts is just a little insulting.

Also, wtf America.


Copyright to the Washington Post.


Saturday, February 5, 2011

"These winter days seem dead and long"

Lessons of the week. 

  • Walking in the rain is not always miserable. There's a certain amount of liberation that comes with throwing your defiant umbrella in the trash... and comfort in knowing that you have the privilege of owning more than one pair of shoes and socks.
  • A rained-on bagel is just as good as one that hasn't fallen victim to the weather.
  • Just because the Scholarship Office loses your application that you've slaved over for weeks and days and hours, is no reason to cause a ruckus. It'll probably toss your chances of getting the money.
  • Doing work for a class that you're not enrolled in, is not the worst of mistakes, because a tiny miscommunication and ignorance of the process of the lovely university school system, provides a tale of situational comedy for the future.
  • Good company should always be appreciated, because bad company is dreadfully unpleasant.  
  • Never underestimate the weight of an awkward situation.
  • If the benefits of a socially unacceptable concept truly outweigh the negatives, you needn't worry about the social repercussions.
  • Eating too many peeps will make you sick.
  • Relaxation very well may be a myth.

I think we feel sometimes powerless faced with the problems of the world, because we forget to or fail to realize how much we can affect other people--- the capacity we hold as human beings to influence the people around us, and that if we chose to put positive energy out into the world, we have the power to make productive changes.
There's a distinct choice between complaining, and actively looking for a solution to the problem.

I found this article a couple of days ago. Just some excerpts I thought to be practical.

The following is from an informal interview with Augusto Boal when he was a Brazilian City councillor in 1996. (Boal is a theatre director and founder of Theatre of the Oppressed. http://en.wikipedia.org/wiki/Theatre_of_the_Oppressed.)


Augusto Boal
{BOAL: […] Just to take care of your family, or friends, your mafia-
SCHECHNER: Still that's what most people do, they look out for their own. They think, "There's no chance for all these people I see in the streets to have a good life because there are too many people, not enough jobs, not enough room, not enough doctors, schools, livable housing, etc…, etc." The very few get richer and the very many get poorer. There's no way to imagine all of the people now alive- not to mention the billions more coming-- having access to what is needed for a full and dignified life. It seems hopeless. A hundred million are helped, but next year there are 200 million more…"
BOAL: But what is the question? Is it, "What should you do to help others?" or "What should you do to help work with others to help themselves?"
SCHECHNER: Tell me.
BOAL: Okay, charity is good. But we can be charitable only to a small number of people, not to the whole world. But if we are together with other people in changing something, the effects multiply.
And later in the piece...
{BOAL: At the base of both is truth that you cannot teach if you don't learn from those you are teaching, An Argentine teacher uttered a phrase I love very much. He said, "I taught a peasant how to write the word 'plough,' and he taught me how to use the plough."…I teach the old techniques that I learned many many years ago. I keep doing them with much enthusiasm. And then people say, "But don't you get tired of teaching the same technique?" I say, "No! Because it's not the same people! Theatre is a language for me. I am talking in English. I cannot get tired of talking in English, because I am talking with you, I am talking with you. You are giving me things and I am giving to you. Whether it is English or Portuguese or whatever: we meet people. …}

Here's the complete article, just in case you might be interested, "Augusto Boal, City Councillor: Legislative Theatre and the Chamber in the Streets: An Interview." authors: Richard Schechner, Sudipto Chatterjee, Augusto Boal

It touches on some concrete outcomes of what listening, collaboration and/or understanding can bring.

Thursday, January 27, 2011

This American Life.



An episode that I think is pretty fantastic.

Over the course of 6 months, Ira Glass hosts this show from the Missouri Eastern Correctional Center, where a cast of inmates were rehearsing for William Shakespeare's Hamlet.

If you're not partial to Shakespeare, or theatre in general, I think this episode will shed some light. Also, it beautifully highlights the parallels from Shakespeare's drama to present day struggles.

The "epic, over-the-top, complicated, dense, hard-to-understand, boring, lame, stupid,"
                typical nature that people assign to Shakespeare
       may hold some truth,
sometimes,
but
the grandiose situations & complexities that exist in the artificial worlds of the 1600s have
relevance to our situations and complexities today. 

They allow us to question, examine and maybe comprehend some of the most difficult things with which our society is faced.

Like: murder, revenge, hate, love, family, good & evil,.... just to name a few.

Give it a listen, or not. 
It's free.
 Just click "play episode."

Tuesday, January 25, 2011

A short lesson on destiny and common sense.

If you don’t know the story of Oedipus, I recommend reading Oedipus the King (or Oedipus Rex, whichever version.) Because I think it’s pretty ballin’

But the basic story line goes like this:
Oedipus gets this self fulfilling prophecy that he’ll kill his father and marry his mother.
And then he does.
His wife/mother is like, holy shit, and kills herself.
And then Oedipus discovers her,
And gouges his eyes out.  



Three Days of Rain by Richard Greenberg
Pip:
“It’s just, like… if some oracle told you you were going to kill your father and marry your mother, wouldn’t you just never kill anybody and stay single? … And then, if you did inadvertently kill somebody, in the heat of the moment or something, and later started dating? Wouldn’t you be smart enough to, like, avoid older women? I mean, to me the story is not your destiny awaits you. To me it’s… you know… Do the Fucking Math.”

"Wine-faced Dionysus, who runs with the maddened girls." sounds like a party to me.

The fourth floor stacks in the library are horrendous. Maybe one day I’ll write a letter, when I have the time or when my dissatisfaction gets the best of me.
I appreciated Whitney Jo coming to talk today. Pursuing a professional acting or theatre career is not the most stable of endeavors. I don’t think artists can help but hang on every word of the stories of personal fulfillment and success that come trickling down from the people that have stuck with it.
If I could do something else I would. I’ve tried several times to convince myself that I could be happier doing something, anything else. I’m a person who enjoys stability and certainty. For the first time in my life I feel like my heart is overpowering my logic.
Things I’ve seriously considered/researched pursuing after I discovered my passion for theatre:
Veterinarian (small animal)
Neuropsychologist
Industrial Psychologist
Registered Nurse
Law
Horticulturalist/ entrepreneurship
Entrepreneurship
Getting a business degree
Teaching higher education
Scientific research in ANY field (except geology, of course)
Broadcasting
It doesn’t make sense to go into a field where the majority of the people do not have a theatrical job. (I couldn’t find the figure, but I know that’s outrageous)
Thank Dionysus that I don’t live and breathe to be on stage.
So, thanks to all of the cliché inspirational concepts that people like to throw down before the youth. I’ll take all the inspiration and encouragement I can get.

I feel like this is worth mentioning:
My friend Will, a very wise man, is currently pursuing communications degree with a film concentration.
While talking about transferring somewhere with an actual film program to pursue this passion, he said to me, “Now, if I’m going to get, forgive me but, a worthless degree, I want to get the right worthless degree.”

Monday, January 24, 2011

"I would, but I need the eggs."

I started this semester off on the wrong foot.
Right now, if I were actually capable of shooting myself in that metaphorical foot, I think I would be more productive. 

I think I would get more sleep if my passion were accounting.
(Maybe not, I’m not too great at Math. I’d probably spend my nights studying. ah, darn, oh well.)

I feel like my innate desires to make sense of things and explore the complexities of human emotion, are a little too exhausting sometimes. 

Today was not good.
So, I read sonnets. 

This is one of my favorites. 

Sonnet 37
“As a decrepit father takes delight
To see his active child do deeds of youth,
So I, made lame by fortune's dearest spite,
Take all my comfort of thy worth and truth.
For whether beauty, birth, or wealth, or wit,
Or any of these all, or all, or more,
Entitled in thy parts do crowned sit,
I make my love engrafted to this store:
So then I am not lame, poor, nor despised,
Whilst that this shadow doth such substance give
That I in thy abundance am sufficed
And by a part of all thy glory live.
  Look, what is best, that best I wish in thee:
  This wish I have; then ten times happy me!”

So, I get that this is probably about someone who loves another person. (Go figure, a Shakespearean sonnet about love, a stretch I know.)

But I think that this principle of loving something because of it’s
“worth and truth”
or
“beauty, birth, or wealth, or wit,”
or whatever, is kind of nice. 

It expresses my love of theatre. I doubt that in real life I’ll ever be required to dress up as a man and enter a courtroom in pursuit of saving my future husband’s best friend, but I can read or see Portia in the Merchant of Venice, and go, “Wow, that’s beautiful. She’s awesome.”

And, no matter how much he cared for me, no man has ever treated me to the string of endless poetry that is Berowne in Love Labor’s Lost.

Loving these things, these qualities helps me to share in the greatness of the art that is presented to me.
We’re scientifically inclined to want to love, hope and aspire to be something great.... Or to want to search for love, hope and greatness in the world. If we can somehow find greatness in the world to share with someone or something, then we are not “lame, poor, nor despised.” We’re a part of something greater than the emptiness we sometimes feel in solitude.

Alvy Singer
from Annie Hall,
written by Woody Allen and Marshall Brickman, 1977:
After that it got pretty late, and we both had to go, but it was great seeing Annie again. I... I realized what a terrific person she was, and... and how much fun it was just knowing her; and I... I, I thought of that old joke, y'know, the, this... this guy goes to a psychiatrist and says, "Doc, uh, my brother's crazy; he thinks he's a chicken." And, uh, the doctor says, "Well, why don't you turn him in?" The guy says, "I would, but I need the eggs." Well, I guess that's pretty much now how I feel about relationships; y'know, they're totally irrational, and crazy, and absurd, and... but, uh, I guess we keep goin' through it because, uh, most of us... need the eggs.